108 . . . Cloisonné Commission Done!
Big Lazy – Just Plain Scared
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After spending seven straight hours in the studio last Tuesday night, I was able to finish the art nouveau inspired cloisonné pendant! I am pretty excited that 1. nothing horrible went wrong in those seven hours (trying to stay calm and not rushing helped) and 2. I am really happy with the piece . . . so much so that I don’t really want to sell it.
To see the previous posts showing the original sketches and the first steps, check these links:
105 . . . Two Years and a Commission
107 . . . Cloisonné Commission II
Below I have compiled some photos of the process. I didn’t take photos of every single step because that would be incredibly boring (since it involves building up thin layer after thin layer after thin layer . . .), but I tried to show a variety of steps.
1. Put the thinner inside wires in place. These were a challenge and took up a good bit of time.
2. First layers of yellow and green (post firing)
3. Adding some gray to the edges (pre firing)

4. In the kiln.
(Side note: The previous week I had aluminum on the trivet in the kiln and managed to push it so it touched those red hot 1500 degree coils and I got a serious zap through my entire body. Lesson learned.)
5. I love the way enamels look right when they come out of the kiln, too bad they don’t stay that way. (post firing)
6. I made little paper patterns to protect my yellow areas from the gray enamel (pre firing)

7. After removing the paper patterns (pre firing)
8. Added in the pink/yellow for the flower. At this point I liked my colors as they were. (post firing)
9. Once I got the coloring I wanted (8), I filled in the empty spaces with N4, a clear enamel (pre firing)
10. After putting on enough N4 to build up the enamel to the top of the wires, I stoned the hell out of this piece. Here it is ready to go in for it’s last firing (pre firing)















